ANew York Times bestsellerThe original graphic novel adapted into the film Blue Is the Warmest Color, winner of the Palme d'Or at the 2013 Cannes Film FestivalIn this tender, bittersweet, full-color graphic novel, a young woman named Clementine discovers herself and the elusive magic of love when she meets a confident blue-haired girl named Emma: a lesbian love story for the ages that Watched Jun 12, 2020 Hmg’s review published on Letterboxd I have slightly mixed feelings on this one. The choice to have almost entirely handheld cinematography added to the intimacy of the story and went along well with the realistic dialogue and stellar performances. There’s also really stylish and smart use of colour. I can feel the relationship between the characters build in the beginning as well as see her connections with her friends. This fades away as the film progresses. Although I like the characters, I don’t emotionally connect with them as strongly as I think I should. This is, in prt, because I get lost in the time frame of the film. It feels like substantial chunks of the story are missing and, although I understand the character development, I don’t feel it. Also, and this goes especially to the dialogue and characters, the film started off incredibly well, but after the first major timejump, began to lose me. I really wasn’t feeling the runtime at all, until I did and it weighed the film down near the end. Specially as we approach the final scene that has no finality and I don’t mean that as an open-ending. It just doesn’t feel like an ending Overall I think it’s a solid film, but deeply flawed in areas it shouldn’t be. Block or Report BlueIs the Warmest Colour (French: La Vie d'Adèle - Chapitres 1 & 2; French pronunciation: [la vi dadɛl]) is a 2013 Frenchromance film co-written, co-produced, and directed by Abdellatif Kechiche, and starring Léa Seydoux and Adèle Exarchopoulos.The film follows Adèle (Exarchopoulos), a French teenager who discovers desire and freedom when an aspiring painter (Seydoux) enters her life. Rewatched Apr 17, 2021 Darren Carver-Balsiger’s review published on Letterboxd Cinema can only be judged in relation to the context in which you watch it. I first saw Blue is the Warmest Colour as a teenager and it deeply affected me. I also remember rewatching the second half at around 3am on some drunken night at university when everything had gone wrong, which admittedly was quite often at university. It's been over five years since then and I haven't seen it since. It's weird to look back at films that meant a lot to you and realise they might not hold up. With maturity I'm now more attuned to the criticisms of Blue is the Warmest Colour, especially those from the lesbian community. Yet this film still means a lot to me. Obviously I approach this film as a man, but I think Blue is the Warmest Colour taps into so much more about growth and early adulthood than just lesbian love, and so it has a lot of universality. I know that the conditions on set during filming were unacceptable, and I'd rather the film didn't exist than be made through harassment and violating labour laws. However in the contexts in which I previously watched Blue is the Warmest Colour, I found it to be the most profound and precious experience. Watching it now, I don't feel quite the same. But even with that caveat, it's hard to stop loving something that used to really matter to you. No matter what I will always hold Blue is the Warmest Colour in high of growing up and self-discovery can be so compelling if done right. In Blue is the Warmest Colour, the pain that lead character Adèle goes through seems so real and believable. I think it's because so much is naturalistic. Adèle's runny nose, tears, and messy eating all feel like something usually avoided in a world where cinema usually demands people look perfect. Here we see truly messy, irrational people. They're flawed, unsure of themselves, and get attached to each other in damaging ways. With a constantly pressing camera that captures all the awkward and small moments of life, Blue is the Warmest Colour is intoxicatingly intimate. I could get lost in its world is the Warmest Colour is about an intense love, one that begins almost from first sight. It makes desire complicated, depicting the initial nervous joy of love and also the pain of its deterioration. Adèle's journey through life and confusion is easy to feel, because it seems so real and relatable to the process of entering adulthood. It's also worth saying that this felt like a much more radical film in 2013, dealing with a lesbian relationship and homophobia in a more accessible and mainstream way than a lot of things before. It paved the way for Cannes to accept later films like Carol, The Handmaiden, and Portrait of a Lady on a sizeable class element to Blue is the Warmest Colour. Adèle, with her working class origins and job as a teacher, finds herself lonely in a relationship with Emma, a privileged woman trying to make it as an artist. As Emma cruises through life, Adèle must always do the hard work. In long sequences of art students discussing philosophy, Adèle is an ordinary person reduced to serving drinks. The use of a food is a constant in Blue is the Warmest Colour, used to define class and set boundaries as to who belongs in which group. Emma thinks work cannot make Adèle happy, expecting or demanding Adèle to be artistic and not practical. This is a film of making mistakes when trying to find happiness, and Adèle having to realise that as time passes the people around her are unaccepting. Part of me feels like Blue is the Warmest Colour is a critique of these privileged, detached, pretentious artfucks. Adèle should not conform to their wants, but instead be herself. Adèle spends years heartbroken and stagnating, but the film's ending is perhaps a sign of her breaking away from that and moving on. I am of the opinion that the breakup scene between Emma and Adèle is reason enough to consider this a masterpiece. It is one of the best scenes of the past decade and devastates me every time I see it. It reduces Adèle to a screaming child, seeming so pathetic, and yet it is so heartbreaking. In fact, the whole final hour is masterful and the conclusion perfectly understated. When the end credits roll, I feel emotionally destroyed. Even now, when the film impacts me less, it still hits me hard. Emma and Adèle are always at different stages in their lives, and so the final scenes are inevitable. Weirdly I too am at a different stage in my life and so I increasingly feel more satisfied by the ending which keeps them least interesting moments of Blue is the Warmest Colour are the sex scenes, but they are the thing I see the most frequently discussed, which is a shame. They are rather distancing and cold, which is quite unlike everything else. There's no denying that the sexual imagery is near pornographic and essentially elevated male gaze art. Yet while this may be an inaccurate and problematic representation, I find those scenes work as a metaphor for the intensity of the central relationship. They also represent an eroticised ideal that cannot be realised or sustain itself, and indeed the characters outgrow it. Emma moves on even though she acknowledges that her new partner does not match Adèle sexually. I think Blue is the Warmest Colour ends up with a double-edged sword, as the sex scenes are the worst thing in the film, but without them the film wouldn't be what it is. The film would not function as an examination of sexuality or one about finding identity through sex. It's also a film without sentimentality for sex, presenting it as a matter of fact without shame nor judgment. Women are far more able to critique those scenes than me, but as the sex scenes make up such a small part of the runtime I find it sad that they overshadow so much else that is great in Blue is the Warmest is the Warmest Colour is one of the best films I know of when it comes to capturing the awkward transition from teenager to adult. As I have changed and grown up, the film works in different ways for me. It is a work about finding yourself, rejecting what others assume of you, and learning to ride through complicated feelings. It is real and rich in detail. There are problems in how this film was made, but in the context I exist in now Blue is the Warmest Colour still deeply moves my heart and I cannot reject its RankedMy Top Films of the 2010s Block or Report Darren liked these reviews Yes it is that good! Directed by acclaimed, French film maker Abdellatif Kechiche and based on Julie Maroh's graphic novel of the same name, Blue is the Warmest Colour was the sensation of last year's Cannes film Festival. Having been awarded the Palme d'Or by the festival judges, it comes as no surprise that this film has gone on to win Watched Mar 09, 2020 GeraldLovesCinema247’s review published on Letterboxd Led by two extremely powerhouse performances, resoundingly astute direction, immaculately stunning cinematography, and most of all, an emotionally-striking screenplay, Blue is the Warmest Colour is powerfully moving cinema at its finest. Wow, what a tour of heavily sensual emotions this film seriously is. This highly acclaimed French romance drama remains one of the best movies made in the last 10 years. It definitely ranks up there as one of most purely well-refined works of art among the LGTBQ genre. From start to finish, Blue is the Warmest Colour is an equally effective coming of age story as it is a film about heartbreak and betrayal. Based off of the graphic novel of the same name, the movie chronicles the life of a French teenager, named Adéle, who meets and falls in love with aspiring female painter, Emma. The first part acts as the birth and growth of their undeniable chemistry, while the second half is dedicated to the decay of their relationship. Through this relationship, Adele finds her personal freedom and liberation from the longing of true love she's been struggling with. Adéle Exarchopoulos and Léa Seydoux are undoubtedly amazing together on-screen. Not only do they have great chemistry together, but both of them exchange such raw emotional depth between each other that you really do forget that these are characters on the-screen. They did an outstanding job of portraying this relationship with pure realism and naturalism. As the movie progresses, you can notice all of the subtle details that likely paved the way for their eventual breakup. On top of all of that, the sex scenes in this movie are indescribably charging and filmed with uncompromising tenacity. Blue is the Warmest Colour doesn't convey any false pretenses about its characters or its subject matter. It's a movie that deals with lesbian romance and artistic aspirations in such a profoundly honest way. The cinematography is impressively beautiful to gaze at, especially the close-up shot of Adéle floating on the beach as the water caresses her face. Oh man, I can't recommend Blue is the Warmest Colour enough. It more than earns the praise it has accumulated over the Rating Block or Report Themale gaze is objectifying, reductive, and dominates our visual culture. So, the antidote must be balancing it out with a new emphasis on the female gaze, right? Wrong. The way the female gaze has been conceptualized still propagates the usual stereotypes about female identity. What was meant to act as a liberation from the male gaze turns out to be a different limiting view of women.
Thisfilm courageously dives into a young woman's experiences of first love and sexual awakening. Blue Is the Warmest Color stars the remarkable newcomer Adele Excharpoulos as a high schooler who, much to her own surprise, plunges into a thrilling relationship with a female twentysomething art student, played by Lea Seydoux (Midnight in Paris).
EnjoyBlue Is the Warmest Color (2013) HD Movie Free Download. User 1 Review: As dull as the film is, I give it major credit for at least giving me chills halfway through, & being able to set an extremely unnerving atmosphere. Download Film Blue Is the Warmest Color (2013) Full Movies Nonton Film Blue Is the Warmest Color (2013) Sub Indo Nonton
Blueis the Warmest Color, the latest film by Abdellatif Kechiche, arrives in U.S. theaters some five months after its Palme d'Or win at this year's Cannes Film Festival with an NC-17 rating and loads of unfortunately massive baggage attached.I won't bore you (or myself) by rehashing the accusations and name-calling that has flown back and forth in the media between the director and his
Blueis the Warmest Color is the type of film a true movie fan has to approach gingerly. It is impossible to escape the diarrhea of praise it initially received around the world, winning the coveted Palm D'Or at Cannes and becoming heralded as a courageous movie and an all-time great love story (all because the story centers around a same-sex

BlueIs the Warmest Color may be a serious film, but its sex scenes are really porn dressed up in art-house lingerie. Since the actresses and the film's director, Abdellatif Kechiche, are all

Allof which somewhat undermines the film's apparently open-minded attitude toward its leads, although it's a credit to Exarchopoulos and Seydoux that not even this cloud can overshadow the weighty
BlueIs the Warmest Color 2013 ½. 26. This review may contain spoilers. I can handle the truth. starvengers challenge movie. AJ is using Letterboxd to share film reviews and lists with friends. Join here. Share this review.

RolloTomasi November 2, 2013. 0 8 minutes read. Blue is the Warmest Color / La vie d'Adèle, from inception, raised eye brows for its content, the awards it garnered, and the NC-17 rating the

Blues domestic film rating of NC-17 for its long and intimate lesbian sex scenes will have people thinking Blue is about sex. 1 1 In France, the film is rated 12 (meaning twelve-year-olds can see the film just fine), playing perfectly into both the American stereotype of the French as libertines and the everywhere stereotype of the Americans InAbdellatif Kechiche's arresting new film Blue is the Warmest Colour, one the main protagonists Adele arguably fabricates just such an illusion for herself when embarking on a lustful lesbian relationship with the film's other lead Emma. Adele is seen to undergo almost a rite of passage into adulthood through scenes of sexual exploration.
BlueIs the Warmest Colour - review Abdellatif Kechiche's epic film evokes love in its purest and most passionate form - intense, cataclysmic and unforgettable Peter Bradshaw @ PeterBradshaw1 Thu
Kechichefilms Blue is the Warmest Color in ellipses, tracing the two characters over a few years. In the film's nascent segments, Kechiche creates a throbbing coming-of-age drama, capturing the vagaries of high school with camera: the echoes of the lunchroom, the post-coital debrief amongst friends, the aching fear to hide difference.
If you're curious, do a quick Google search for "blue is the warmest color fake vaginas" and you'll see just how much these prosthetic vulvas have captured our collective cultural attention.) Blue generated a raft of rave reviews at Cannes, but a handful of critics including Magnolia Dargis took issue with Kechiche's depiction of female sexuality.
BlueIs the Warmest Color 2013, NC-17, 179 min. Directed by Abdellatif Kechiche. Starring Adèle Exarchopoulos, Léa Seydoux, Salim Kechiouche, Sandor Funtek, Mona Walravens, Benjamin Siksou
ANew York Times bestseller. The original graphic novel adapted into the film Blue Is the Warmest Color, winner of the Palme d'Or at the 2013 Cannes Film Festival. In this tender, bittersweet, full-color graphic novel, a young woman named Clementine discovers herself and the elusive magic of love when she meets a confident blue-haired girl
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